The residues are based on formulas that take into account, for example. B of the contract that came into force during the year, the production time, the mode of production and the market on which the product appears. All performers recruited or valued under a main performance agreement whose performance remains in the finished product are entitled to leftovers. The substantive actors do not receive residues and are not entitled to leftovers, unless they are revalued as lead actors. Amazon, Instagram, YouTube – these are just some of the targets the Screen Actors Guild has classified as “new media.” Whether you`ve made a movie or a series, both are covered by this agreement as long as your budget is between $50,000 and $1,000,000. Even if this agreement is perfectly valid for your film, it is important to note that you must first release your film in theaters to qualify. If your movie is released directly on a streaming service like Hulu, your SAG scale rates may fall under New Media. SAG-AFTRA rates are the minimum amount of money that the Screen Actors Guild allows its members to work on for a particular project. SAG rates are offered on a daily and weekly scale and are often determined by project type, budgetary constraints and distribution plan. SAG-AFTRA (“Screen Actors Guild-American Federation of Television and Radio Artists”) is a union representing more than 160,000 film and television artists, radio actors, video games, radio and television advertisers, news anchors, singers and recording artists (both royalty artists and background singers) , performers in commercials and actors working as stuntmen and specialized acts. It is dedicated to protecting the interests of its members and improving wages, working hours and working conditions, and it does so through a series of contractual agreements (some of which are grouped above) applicable when one of its members participates in a production.

The Moderate Low Budget Project Agreement (MPA) includes non-episodic content productions that have been shot between $300,000 and $700,000 for the total value of the United States. The agreement must be executed by performers at least one week before any work. The MPA applies to films that are originally published in one of the following publications, but it is not necessary to publish them for the first time on any of the following points: due to the size and influence of the syndicate, most major media companies have a collective agreement with SAG-AFTRA through the Association of Motion Picture and Television Producers (AMPTP). These include studios, production companies, commercial production companies and even individual producers. Producers and companies that sign a contract or letter of contract with the EU in their area of competence are referred to as “signatories”. Unlike other signatories, the New Media Agreement does not require minimum compensation. Initial compensation is fully tradable under the SAG-AFTRA New Media agreement for productions that do not meet the high budget threshold. Although there are no minimum requirements under the agreement, there are local, state and federal minimum wage laws that need to be monitored because they are still in place. The payment is due to the exporter no later than five working days after the working time. The SAG and Health Or AFTRA Health and Pension Contributions are due on the negotiated severing pay of 17%. When a company becomes a signatory, it accepts the working conditions of professionals represented, protected and conservative under basic contracts. There are 6 types of theatrical agreements.

All are determined by the level of the budget: unlike the SAG rates for Class A, you have to pay a little more if New York is one of your cities, which is why most of them choose the first deal.